Nostalgia and the New Era: The Return of Veterans and Classics to the Big Screen

The landscape of movies is constantly changing. At second glance, it would be easy to believe that today’s date was somewhere between 1990 and 2005. More and more, stars that we assumed were well past their primes have been saturating screens, both big and small, and have begun to make their presence known once again refusing to get lost in the shuffle.

These past few years have created the opportunity for older stars to return to the medium that made them and it has been welcomed with open arms from those who find themselves on the outside looking in, wondering how this resurgence began and why.

Careers have been completely revitalized even as the new wave of talent has come flooding in. Winona Ryder in Stranger Things, which has already become a cult classic, is a reminder of the star she was in the 90’s through her performance.

Photo: Netflix 

Ben Affleck, who was nearly forgotten, rose from the ashes as the new Batman in the DC extended universe.

Photo: Warner Bros.

Michael Keaton got a fresh start again as Birdman and is now a featured character in the upcoming Spider-Man film.

Photo: Fox Searchlight

And now, Eddie Murphy has come out of a long hiatus to grace the big screens as Mr. Church.

Photo: Andy Kropa

This era of millennials is fascinated with nostalgia. Not only is the clothing littered with vibes from the 1990’s, but film has been tapping into the need for millennials to feel the decades that have passed them by. Star Wars is one of the shining examples of that as its 2015 release broke records and showed that it was still very much relevant to even the casual fan.

Filmmakers and television show runners alike are beginning to see the power in nostalgia hence the massive push for remakes and continuations of popular films.

Photo: Comingsoon.net

Power Rangers is a movie that has become a headliner already as a major remake of a popular franchise in 2017. The anticipation and buzz that this film has created has managed to get fans excited, maybe a little worried, but definitely ready to experience the what the Rangers have to offer to the silver screen…again.

Photo: Robert Zuckerman

Bad Boys III makes the list as a continuation of another film that has had a bit of time gap since its predecessor Bad Boys II. The thought of a sequel featuring two long-term veterans in Will Smith and Martin Lawrence already ushers in an atmosphere of the same magic they captured in both movies. Fans want to see it and for good reason. Two top-tier actors are returning to a franchise years later after the hopes of a final film to form a trilogy were not as likely as some wanted. Now, Bad Boys III has been greenlit and is looking to capitalize on this new era’s focus on classics.

As mentioned before, it is not just the films that are getting a vintage retouch. Their actors are as well. Expect to see many more pioneers of the entertainment industry to make their fateful comebacks in various forms of media. Now is the time where the door is wide open for them to return and hopefully continue to resurrect their careers for a new and changing generation.

Agree? Disagree? Leave your opinion in the comments below and let’s chat!

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The Comic Universe and Diversity: Why It Is Not Waiting for Us

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Nerd culture is becoming a big deal these days. Its popularity has transformed from a sub-genre to mainstream fame. So many people are becoming invested into this culture and this investment brings an often heavily debated issue with it: Diversity.

It is important for any business to keep up with the current status quo. With the present resurgence of the comic industry and its characters, this universe is one that does not have the time to wait before it adapts. Companies like Marvel, DC, and Boom! are all pushing what they think is the best representation of the world through our lens and with that, comes something that some of us have yet to accept. Diversity is a key motivation behind their business model and while some of us do not agree that it is the right stride for them, it is absolutely necessary and long overdue.

For anyone who has followed major comic book characters, one of the most glaring issues has always been the lack of diversity. Sure, there have been a few main or supporting characters that shared the same stage as the A-listers, but they have been far and in between for decades. The comic industry noticed, whether it was from fan mail full of complaints, celebrities like Donald Glover speaking up (let’s all thank him for Miles Morales), or the writers in general recognizing the need for a change.More and more, great leaps have been made to expand the growing demographic of the comic universe.

We have seen a Pakistani teen take the mantle of Ms. Marvel.

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We have seen a Latina woman become a Green Lantern.

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We have seen an asian supergenius become the roaring, raging Hulk.

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We have seen a young black girl, RiRi Williams, reverse engineer Tony Stark’s Ironman suit and step up as his heir apparent.

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And that is just a few of the new guys. These are monumental changes to major characters that matter and have drastic effects in this society…especially in this society.

One could say that this type of diversity is insincere and a ploy to capitalize on a new movement. There are those that would argue this to the grave, but is that actually true or is the comic universe just reflecting what society is actually becoming? Is this new push similar to the one in the era of blaxploitation which happened to also create Luke Cage in the 70’s?

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This seems different. It is hard to think that if heroes and villains were to exist in the likeness of their comic book counterparts NOW they would not come from different backgrounds, races, and orientations. On top of that, our most beloved superhumans would probably mirror that too. The writers and developers of the comic industry have picked up on this and have chosen to act accordingly.

I can remember growing up and being entranced with comics, their movies, their television shows and whatever I could get my hands on. One thing that stood out was that I did not truly have someone who I could relate to. There were a few prominent black heroes, but that did not mean I could realistically imagine myself imitating them in real life whether it was in my play time fantasies or Halloween. One hero stood out in particular. Peter Parker.

Spider-Man. And it was not a striking resemblance between us that I idolized. It was his youth. It was his quirky attitude. It was his familiar issues with growing up and school that made him empowering and appealing to me. But that was me. Uniquely me. I found the silver lining in the lack of diversity in comics.

Now, though, we are in a generation where diversity is front and center in our nation. It is something not even its citizens can agree on. In that same vein, many are divided when it comes to diversity in the comics. The truth of the matter is that some fans do not want change, but then again, that is something common with most people and that should not stop companies like Marvel, DC, and Boom! from vying for it and trying to push main characters with diverse backgrounds. A widening fan base deserves a wide array of persons that they can relate to.

More than anything, this transition can really have a dynamic impact on youth. Children look up to those that seem to represent them. The same can be said for adults as well. If a black child can look up to Miles Morales as Spider-Man and be empowered, if a muslim girl can see Kamala Khan in action and feel accepted, or if a woman can see X-23 or Wonder Woman and realize that she can be just as powerful in her own life, then the work that the comic universe put in to diversify was all worth it. We need more of that represented in our society.

The comic universe cannot wait for us all to agree. We simply will not. That does not take away from the power that diversity will continue to have in this realm. And when it is all said and done, their sales and influence in the national community will be a good determining factor if this endeavor was worth it for them. It does comes to the point where we have to be adults, willing to accept change, and not fight it so hard. This is a legitimate change that accompanies the climate in which we live. This will not deflect the fact that there will be those who think that our characters should remain classic and classic only and that is an issue I foresee many of us staying divided on.

Despite that, the diversity that we have been getting has been good. It is the way that this universe can be passed down to the next generation. If the comic universe does not adapt, then it has no chance of surviving. Like anything, it has to continue to evolve. It opens the door for fresh stories and new opportunities for more than just one age or demographic group to enjoy. Maybe one day we will all be willing to accept these changes, but until then, the comic universe cannot afford to wait for us and has to keep pressing forward.

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Suicide Squad: The Good And The Ugly Review

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Suicide Squad built up plenty of steam as the August 5th release date finally arrived. We sat in the theaters wanting a good film to be presented to us, nervous that what we witnessed would sour us with another average movie with way too much hype and not enough meat on its bones. As the mid-credits scene ended and we filed out of the theater, the air very much felt sucked out of the room, but this time, not with anger and disappointment, but surprise. Why? Because Suicide Squad was actually good.

Now do not misquote me. Good does not mean elite, as Suicide Squad had some key flaws keeping it from that echelon, but in spite of those flaws, we were given a fun ride and a little bit of the spunk that we have been wanting in our DC movies for some time now. The fun, among other things, gave us something to look forward to in the DC Extended Universe especially with powerhouses like Wonder Woman and the Justice League coming next year. On the flip side, where Suicide Squad gave the fans promise, it also shot itself in the foot in ways that could not be overlooked. Here is where we review the good and the ugly (spoilers)…

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Good: Character Chemistry – It is absolutely undeniable that one of the most compelling aspects of this film is the character chemistry that projected from the screen. For the story that they were trying to develop and the way the characters were used in the film, it drove the movie entirely. If it was not for notable dynamics such as Harley Quinn/Deadshot, the movie probably would not have had as much to stand on, let alone have been as fun as it was. The film was able to take characters that many are not even familiar with and create a sense of family that gave us a reason to care. That is important for any film because the number one goal is not to just have good characters, but for us to be invested in them and their roles with each other. Suicide Squad, for the most part, successfully capitalized on that and it helped elevate this movie significantly.

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Ugly: Poor Character Development – Despite good chemistry, there was a noticeable lack of development for some characters in this movie. One of the most glaring issues that this film presents is the inconsistency that followed at least half of the supporting characters. Their roles are necessary, but their material either made them boring, awkward, or under-utilized. This does not mean that poor character development hurt Suicide Squad entirely, but a touch up on these characters would have been a welcomed addition to the movie. This also does not mean that any of them needed the same amount of time that Harley, Deadshot, and El Diablo were given, but more reasoning for things such as Captain Boomerang’s eccentricity, or Katana’s soul-keeping sword, Killer Croc’s story in general, and a less two-bit feel from Enchantress could have helped, not to mention Rick Flag could have used a more noble overhaul. He felt way more shady than he probably should have. He was okay. That is it. Just okay. A reason to feel for these characters and not just see them could have amplified what we were given drastically.

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Good: Majors in the Minors Suicide Squad did one thing absolutely perfect. They turned our beloved Batman and Joker into side pieces essentially, giving Harley and others their times to shine. There was not enough Joker to say that he overshadowed Harley. As a matter of fact, he did not play the role that many of us believed he would and the lack of his presence, but the outstanding performance of Jared Leto left us wanting more. The execution of the Joker is superb. Batman has a similar role. We get a chance to see Batman, not in his cave, not in his head, not in any point of view for himself, but from the perspective of the villains/anti-heroes. He came across as legitimately intimidating as well as more matured in his crime-fighting stance than the one that was seen in Batman vs. Superman. That is a solid change and both things are something we haven’t really seen before minus a few hit and miss comics/cartoons over the years.

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Ugly: Paper Thin Plot – The plot we were given in Suicide Squad was more thin than a wet piece of two-ply toilet paper. To say the very least, it was disappointing. There were some motivations that just did not make sense. Deadshot’s desire to kill Batman was not convincing. To assume it was so that he could kill people and make money for his daughter is an assumption and not something that was actually shown in the movie. Enchantress and her motivation in general was a let down. She had no depth, her brother had no depth, and her purpose behind destroying humanity seemed forced. It was something that we have seen before in other superhero films, where the villain is completely one-dimensional, but this might have been one of the worst. Amanda Waller just wanting a metahuman army was cliché. Rick Flag being in love with June was typical. DO NOT GET ME WRONG, I am not bypassing what they did right because in some instances the plot was exactly what it should have been, but the simplicity of this plot was not helping it stake its claim. It was the Suicide Squad itself and their relationships, personal and corporate, that pushed the movie…more than its own plot which is a paradox in its own right.

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Bonus Goods:

  • Jay Hernandez/El Diablo – Whether it was his acting or his story arc, he stole the film and I only have one word to describe it and I am going to spell it out for you: N-A-I-L-E-D! NAILED!
  • Margot Robbie came in the clutch and gave the perfect Harley Quinn performance. Totally believable and maybe in the top 5 of best iterations of a character from comics.
  • Will Smith as Deadshot was a reminder that he is elite. Despite his film choices that he has made in these past couple of years, he redeemed himself with this performance that should give all of his fans a resurgence of hope for the rest of his career.
  • Viola Davis/Amanda Waller – She was despicable…exactly how she should have been. More of a bad guy with sometimes good intentions than a good guy with sometimes bad intentions. This portrayal of Waller was what it needed to be. Ruthless, selfish, and completely lady boss-like.
  • Joker emanated charisma and the relationship with Harley that we were shown only magnified one of the most best, live-action adaptions of the Joker that we have ever seen. Jared Leto’s version of the Joker was a unique mix of a dangerous and insane that looked like a lovable threat in this universe to come.
  • El Diablo’s redemption story/arc. I said it twice because it was just that good.
  • Joker’s laughs.
  • Fun – This film was fun and had a lot of funny moments which made it good by default. Even with the flaws, they are mostly overshadowed by the good. Still there, but you care less because you enjoyed yourself. This was a good sign of promise to come for DC films considering very little of this film could get Geoff Johns’ touch.

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Bonus Uglies: 

  • Captain Boomerang barely even threw a boomerang. He felt more like a comic relief character and it feels like they went the wrong direction with his role.
  • Killer Croc – Underused and slightly awkward. His line about BET was misplaced and for him to be such an awesome character, it never really felt like it. His voice and his lines were not the best. Many people loved him. I was not one.
  • Rick Flag – Not sure what went wrong here, but the guy typing this was not convinced. Not even a little.
  • The magic aspect was messy. Do not go with magic unless it is going to be properly established. Otherwise it just makes a mess.
  • Not enough friggin’ Katana.
  • Enchantress. Just Enchantress. Yeah.
  • Editing got in the way of this movie. It was kind of noticeable and it was something that hurt the film a little bit. Some scenes felt like they were missing something that would help the scene make more sense. Of course we will not know until the movie is release for digital download and dvd and we are given the deleted scenes.

Overall, Suicide Squad was a decent movie. It will not stand up with the great superhero movies that we have today, but it is a positive and promising step in the right direction for DC films. Rome was not built in a day. Neither was Marvel or better yet, any great thing that we have. Give DC time and maybe we will remember this movie as the infant child to something great.

And be sure to connect with me on Twitter, Facebook, Instagram, and LinkedIn!

To Hoechlin Or Not To Hoechlin?

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(Photo: Warner Bros.)

Ladies and Gentleman, the CW has given us our new television Superman! Clark Kent will come to life thanks to Tyler Hoechlin, a relative unknown except for that time that he starred in Teen Wolf. His casting announcement was followed by one important question: to Hoechlin or not to Hoechlin?

There is quite a bit of uncertainty surrounding this news as Smallville, which featured the last television version of Superman (also on the same network), left a bad taste in the mouths of many fans. Now Hoechlin has big boots to fill, literally, due to the great expectations many place on this role.

The swirl of comments flooding this announcement is very similar to this guy’s: 

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(Photo: The CW)

Remember him? Remember how the internet broke when the world learned that this Glee cast member was being casted as the beloved Barry Allen/Flash? Now, with Grant Gustin at the helm of The Flash, it has become THE best superhero themed television show to exist and arguably, ever. Supergirl and our new Superman deserve the same chance to be great. They have found their way on a network that is now known for its comic book themed television. And yes, it is scary to give such an iconic role to someone who is unproven to most to portray the Superman character and do it justice, but as stated before, Grant took the role of Barry Allen and ran with it (no pun intended) and made it great.

Tyler Hoechlin has the tools and the look to be a good Superman on television. He definitely has the look. He is absolutely YOKED. It is an unsaid requirement that Superman has to be that way. Tyler YOKElin certainly fits the bill:

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Aside from that, he has the acting ability and onscreen presence to sell both Clark Kent and Superman as men with completely different roles that share the same life. IF you have seen any Teen Wolf, there should be no doubt that he can split roles. And with the campy and lighthearted feel that Supergirl tends to have and with CW heading up production, Hoechlin has the ability to take this role under their direction and bring a character that has lacked a lot of depth and give it layers. Stephen Amell’s Oliver Queen has exceeded expectations. Grant Gustin’s Barry Allen has exceeded expectations. We have to believe that the current trend of CW establishing main comic book characters will continue with Tyler Hoechlin’s interpretation of Clark Kent.

Before freaking out, let’s give Hoechlin a chance. He may just surprise us all.

 

Batman: The Killing Joke – The Good and the Ugly Review.

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For years, people have been clamoring for Alan Moore’s (writer) and Brian Bolland’s (artist) classic story The Killing Joke to come to life on film. This iconic and classic tale solidifies what many believe is the first definitive origin story for Batman’s arch nemesis the Joker. DC pulled out all the stops as they casted Kevin Conroy and Mark Hamill to reprise their former roles as Batman and the Joker, the two characters they made famous in what is known as one of the best animated adaptions of Batman to exist, Batman: The Animated Series. Tara Strong and Ray Wise pull up the rear as they voice the daughter-father tandem of Batgirl/Barbara Gordon and Commissioner Gordon.

This film has received nothing short of mixed reactions, but the fact remains, it has earned the indecisiveness of its viewers as they were met with interesting creative choices that literally split this film in half. Here is where we review the good and the ugly:

Good: Voice Talent

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It is absolutely undeniable that the vocal acting was the real star of this film. Regardless of the feelings that accompanied certain areas of this movie, most scenes were driven by strong actors. Mark Hamill is the real MVP of The Killing Joke. He, like we expected, took control of every scene he was in and made the most of it despite how short his time in the film seemed to be. For those of us who have read the graphic novel, it was incredible to witness Mark Hamill’s dialogue lift every monologue off of the screen and into a place where the viewer could feel his emotion, all of it, whether it was in his origin story or his last moments of the film. He once again showed why he is legendary. Ray Wise, who played Commissioner Gordon, also kept up with bigger names as he had a large part to play sharing space with the likes of Kevin Conroy and Tara Strong. Kevin Conroy seemed a bit sleepy at times, but overall, the vocal talent was a shining plus.

Ugly: The Prologue

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At this point, it is cliché to even mention the prologue as a downside to this movie,  but it has to be discussed. The prologue was a creative choice that did not quite work out, for several reasons. Tara Strong did the best she could with her material, but it was not her performance that caused this to backfire. In a way, Batgirl seemed incompetent. She was poised against a two-bit, one-dimensional villain with a ridiculous name, one she could barely handle, which ultimately made her look absolutely average. It played up to the “woman need big man” caveman-esque philosophy that really hurt the depth of this character, no matter how complicated she was portrayed to be. With the understanding that Batgirl needed to be given some source material in order to not seem like a standard plot device, they ended up making her seem rather childish, needy, and weak especially when looking at the man that she shared an onscreen relationship with. It set a relatively stereotypical image that many heroic women characters have been able to stray away from as of late.

Good: The Last Half of the Movie

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Near the middle of the movie, The Killing Joke really begins as the film people were raving to see finally arrives. This movie stops feeling like Batgirl: The Killing Joke, and gets a full head of steam. The Joker makes his way into the movie and the energy instantly shifts. The graphic novel takes shape in cinema form thus becoming a word-for-word adaption until the very end. After having to wait far too long, the extra exposition is over and fans can begin hearing the voices behind what they could only imagine for years. The Killing Joke attacks this story hard and with passion, regaining its identity once again as the cult-classic many comic fans have known it to be. Not much really has to be said as the last half of this movie stand on its own two feet and with authority. This half of the movie separates itself from first half making one consider the idea that it would have been better off by itself.

Ugly: The R-Rating

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In order to spare the general public of a full-blown rant, I will just say this. The buzz surrounding the r-rating was costly and for lack of a better term, pointless. It soured people on what they actually got in the movie which was not THAT much, honestly, not compared to what an r-rating actually means for something expected to be graphic. There was that red stuff, a few cuss words, sexual innuendos, a little skin, and slight hinting of a sexual encounter. On paper, that really does seem like a lot, but visually, it was not. The movie would have been far better off with a lesser tv rating instead of the r-rating that began to seem more like a marketing campaign rather than a reality. The Killing Joke was not as brutal or as graphic as it was portrayed or marketed to be, enforcing why it was met with such mixed reactions and criticism in that regard.

Bonus Ugly: Batman/Batgirl Relationship

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Fifteen minutes into the film and the relationship between Bruce and Barbara is already weird. ALREADY. WEIRD. FIFTEEN MINUTES. Among the noticeable things that just felt wrong was the age gap. Love can be found in spite of age, but the combination of teacher/student and man/girl (not woman, but girl, for a reason) felt off. Them being from two different worlds did not help. It felt forced and pushed together just to make their relationship more complicated than it really had to be. And with Barbara being portrayed in way that made her feel very close to college, if not IN college and Bruce being portrayed in way that made him feel like he has been around well before her time, not to mention being good friends with her dad, their entire physical relationship was an awkward direction for them to go. (I know there is comic precedent for this, but this story is a stand-alone and does not make it less weird). It did have a deeper purpose which did help push the original story a little bit more which leads us to…

Bonus Good: Batman/Batgirl Relationship – The reason that this is included in the good section is because though this was a strange, this relationship made Batman’s connection to Joker that much stronger. His hunt for the Joker became much stronger because of how he felt toward Barbara (which was completely unaddressed, just implied). It adds another layer to the original story which makes Barbara’s injury more personal, and as stated before, not a plot device. It forced Batman’s fight to extend beyond people and the dangers of the Joker and made it for a person. An emotional quest that Batman rarely entertains and consistently separates himself from. It gave more substance to Batman’s quest and gave the viewer more reason to latch on to the climax of the story.

Super Ultra Bonus Ugly – Paris Franz though? I  mean did they even try?

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I do not know if I would advise paying hard-earned money to go see this…sorry DC, but if you want to see the classic graphic novel come to life, take the leap! Who knows, you may find it worth it!

Relax! Brie Larson Will Not Disappoint As Captain Marvel.

Rumors began to run rampant as Marvel seemed to hit its stride in casting announcements. Every role imagined was being filled except for one: Captain Marvel (Carol Danvers). Who would be playing her? Who was even worthy of playing her? Fans began talking and there was one name that was consistently coming up. Ronda Rousey was considered the leading lady by most as people went as far as to photoshop her essence into Captain Marvel attire and passionately petition for her to have the role.

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Marvel had other plans. News outlets started reporting that they had someone else in mind. Someone a little more obscure. Someone who had proven herself, but only to those who were literally paying close attention. At Comic-Con in San Diego, the truth was uncovered and Brie Larson took the stage and confirmed that her talks with Marvel were more than just talk. We can now call her “Cap” and get ready for her to bring that character to life in 2018, but WHO is Brie Larson? I know some of you are thinking, “Why does that name sound so familiar?”

Maybe this will jog your memory.

Envy Adams – Scott Pilgrim vs. The World

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Molly – 21 Jump Street

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And for the real movie watchers, Joy – Room

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Brie Larson was not necessarily on the top of the list when people thought of Captain Marvel, but despite the reluctant acceptance of her new role, there is a reason we can all rest easy and relax in the casting system that Marvel has made a name off of.

I think that we can all agree that Marvel Studios has a track record for two things. One, they have become elite when it comes to matching actors with their hero doppelgänger. Robert Downey Jr. and Chris Evans are two shining examples of that. Without them, it is really hard to imagine anyone else playing those two roles, almost as if Tony Stark and Steve Rogers could not exist without the two. And two, Marvel has become elite in giving star power to relatively obscure actors in the mainstream world. Paul Rudd (obscure to millennials to say the very least) and Chris Pratt (obscure to anyone who isn’t a millennial and did not watch Parks and Recreation) prove that Marvel has a plan when they facilitate awkward castings. Because of them, Star Lord (Peter Quill) and Ant-Man (Scott Lang), two characters many never thought they would see on the silver screen have become household franchises in the superhero genre.

Brie Larson has legitimate acting chops and she has more than proven herself and the range that she has. Captain Marvel, for some reason, seems to hold the same place in the eyes of people in the comic book realm. Both may not be the most popular, but they definitely have their place and have the ability to push the average fan to appreciate their presence. Larson, as mentioned before, shows incredible range. Her portrayal as Envy in Scott Pilgrim shows an aggressive, but also quirky, captivating character that wields our attention immediately. Joy, in the independent film Room, shows that she has tremendous potential as a mainstay actor for many years to come. She delivers arguably her best performance as a young mother, trapped in an abusive relationship, away from the society she once knew all while trying to protect her son from the evils of the world and own personal life. The diversity in those roles alone should give any fan of the Marvel cinematic universe a reason to find comfort in her talents. [If you have the time, watch them. They are both great movies].

Captain Marvel is a character that needs diversity. It needs someone who can be serious and aggressive enough to don the mantle and command attention from her audience. It needs someone who can be zany and quirky enough to keep up with the likes of a person like Peter Quill. It needs someone who can be fun, charming, and relatable and not seem so out of touch with our reality. It needs someone who has already proven to show these traits in their actual life. These are all things we can pull from Larson so before we freak out and fill the internet and our conversations with worry, understand that Marvel knows exactly what they are doing. They have given us no reason to doubt them.

Take the time to familiarize yourself with Brie Larson and her films so you can see that we are in good hands and relax! She will not disappoint as Captain Marvel.

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3 Reasons Power Rangers Needs A Trailer…NOW!

In a season where constant movie news and trailers are being released, nowhere to be found is footage of any kind from Power Rangers.

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Photo: Lionsgate

 

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Photo: Lionsgate

Power Rangers has played on the heart-strings of eager 80’s and 90’s babies. It is among the pinnacle of nostalgia for them, who grew up watching the then revolutionary television show and eventually, movies. Anyone can type in “Power Rangers” in google and see it littered with articles and pictures teasing its return. Despite that, bringing up Power Rangers now is met with tremendous moans and lengthy complaints because of one monumental element missing: a trailer and any sign of one coming soon. That is a bad, not just from the casual fans who watch movies on their own volition, but from those who righteously follow films of this nature. Interest is slipping quickly, and without anything for fans to lay their eyes on, here’s why:

No Trailer, No Buzz: Simply put, teasers and trailers are necessary for this reason alone – they keep people talking. Conversations about films, especially after the release of a teaser or a trailer, create an atmosphere around a product that remains intact even until the next trailer. They play a part in getting people excited about what’s to come. Word-of-mouth is still in the promotion business and still a staple in effective marketing to this day. When a movie like Power Rangers, which is quickly approaching its release date, still has nothing to show for itself except casting news and pictures, it begins to halt its own progress among fans and leaves them relatively unsatisfied with what they have. This lack of satisfaction from movie-goers can easily lead to contempt (happening as I speak) and even silence, which can make or break a film entirely.
Bottom of the totem pole: There are some major, highly anticipated films in the comic/fantasy genre scheduled for 2017. Wonder Woman, Star Wars, and Spider-Man are a few that take up that mantle. Many of them already have at least a principle teaser out or have taken major strides to keep fans invested and because of that, Power Rangers is at risk of being swept back to the furthest corner of entertainment and given the spot at the bottom of the totem pole. Power Rangers does have a lot of factors on its side. It’s a nostalgia based film. It has newness about it even as a remake and it is something that many were skeptical they would ever see again. The movie has given people a reason to care, but in this generation, it is not enough to just get people to care. They have to be invested for the long haul. Power Rangers is in need of a serious teaser because buzz is starting to die down and fans are becoming too impatient to care each day they have to imagine what this movie offers.
Concerns of Quality: For anyone who follows movies, a huge concern is for the production to not be consistent or timely. That can be costly. And fans want Power Rangers to be something that will give them reasons to leave the theaters satisfied. No one, not even me, wants them to put together poorly produced material for the sake of time, BUT if there was ever a moment to get something out, it is now. People are in a place where they are not sure if they should put too much energy into this film. For Unfortunately, there are questions being asked that are not getting answers. It’s creating a lot of doubt towards the worthiness of this film. Power Rangers is in crisis mode and needs to put something out that is good to let movie-goers know that there is nothing to worry about, that they are up to speed, and that they have everything under control.

Until a trailer of some sort is released, Power Rangers is going to be met with a lot of criticism and rightfully so. It desperately needs one if it intends to compete with the other blockbusters of 2017. While some believe this may be a clumsy attempt to capitalize on fans born in the 80’s and 90’s, this film could very well shape up to be a success and prove that there was a lot of care put into it. Hopefully there is a push for a trailer that will show us a clear indication as to where this movie is headed.Power-Rangers-2017-Movie-Logo-Header-Image-570x285